In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life. “Doesn’t agree with you?” inquired Miss Ensor.!

“Why did we all like him?” asked Joan. “Even Miss Lavery. There’s nothing extraordinary about him.” Folk’s words came back to her: “And poor Jack Allway. Tell him I thank him for all those years of love and gentleness.” She gave him the message.

“How do you know that my being with him helps him?” asked Joan. “How do you know that my being with him helps him?” asked Joan. Mary put the indigestible-looking pasties into the oven, and almost banged the door. Miss Ensor proceeded to lay the table. “How many, do you think?” she asked. Mary was doubtful. She hoped that, it being Christmas Day, they would have somewhere better to go.